Ítaca
If I had to define the style of the pieces that make up « Itaca » (Ithaca), I would say that it is « my-tango ». An intimate tango, the music of my imaginary town. A town where we come from and a town where, ultimately, we return, a town that we carry, that we invent and that we […]
5
« 5 » marks the return of Gubitsch to the guitar after a period of eight years where he devoted himself solely to composing and conducting for orchestras. And by going back to the guitar, he went back to the iconoclastic tangos which he is known for. Accompanied by his colleague as always, Osvaldo Calo, as well […]
Sans Cesse, suite…
“Sans cesse, (suite… ” is a work apart in Tomas Gubitsch’s discography. It is the musical evidence of an extraordinary experience that took place in the Theatre of Espal (Le Mans) during the years 1995 and 1996 with a group of fifty people whose common point was to be unemployed, as well as being on stage, […]
Contra vientos y mareas
“Contra vientos y mareas” finishes the first cycle of three albums. A work around the form of tango, its renewal and the specific openess that its musicians expect of it. It was entirely recorded by the trio (in 1989) with Osvaldo Calo (piano) and Jean Paul Celea (double bass) and it is probably the finishing […]
Sonata Doméstica
“Sonata domestica” was recorded in 1986. The composotion in four movements that gives the title to the album – and which took up the B side of the original vinyl – is a compositional work where savant techniques meet post Piazzolian tango. As always accompanied by the virtuoso pianist Osvaldo Calo, “Sonata domestica” sees the […]
Resistiendo a tormenta
“Resistiendo a la tormenta” is the first album that is completely composed by Tomas Gubitsch. Recorded in 1980 with his faithful accomplice, Osvaldo Calo on the piano, it includes a piece that is more orchestrated “Ciudad herida” where the duo Gubitsch Calo invite, amonst others, the bandoneon of Juan José Mosalini. This first work of […]